Lithographs

Over-body scans

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Shadows and skins in the meeting of shared belongings in search of a fragmented totality.

The unfinished characteristic of the subject is a good starting point for me for an analysis and a body investigation. Therefore, the device that gives rise to the production is based on a fragment of the body in search of absolute materiality. The exploration and investigation of discourse begins with the body itself as the support and matrix of production. That, in turn, I go through an analytical phase of abstraction and decomposition of any bodily indication towards a stripping with the intention of reaching the substance of that body stripped of stereotyped forms. Arriving at absolute materiality as a record of a human presence of this here and now: the flesh. The production reflects on and analyzes the concepts of identity and symbolic discourse from an understanding of the body itself as the trigger and matrix of production. Through a story that proposes to mark and make aware of the condition of female, of one's own body, within the existing tensions in the context. At this moment, I am interested in lithography and behavioral art in the search for simultaneity and overlapping of meanings: between skin and plant shadows.

¿The shadows as emptiness? ¿Identities as superposition?

The overlapping of skins between the body and the register of plant shadows presents the multiple belongings and the layers that dialogue and make up identities. Shadows as empty space potentially habitable.

¿The identity?